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A WHOLE LOTTA SHAKIN’ GOIN’ ON AT DODGER STADIUM



By Brent Shyer

Savvy music fans know that numerous legendary performers and performances have taken place at Dodger Stadium, beginning with The Beatles on August 28, 1966, to Elton John on October 25-26, 1975, to the heavenly voices of “Encore -- The Three Tenors” concert on July 16, 1994.
But, not many aficionados would know that in 1966, another famous American idol was at Dodger Stadium. It was not on the Dodger Stadium field, however, but in the parking lots.
Rock ‘n’ roll superstar Elvis Presley was at Dodger Stadium for three days to film sequences simulating road races in “Spinout”, his 22nd feature movie.
The negotiations between the Dodger organization and Dutch Horton, location manager for MGM Studios were started by Dick Walsh, Vice President Stadium Operations and subsequently turned over to Jeane Hoffman to complete.
Walter O’Malley had hired Hoffman as Assistant to the President — the first woman department head of the Dodgers — in May 1965. She was to find creative ways to promote and utilize Dodger Stadium for non-baseball activities on a limited basis, such as rentals from movies/TV, conventions, alternative sports and concerts. Hoffman’s name was well-known in Los Angeles, as she had been an award-winning sports writer for the Los Angeles Times and the Los Angeles Mirror. In addition, she served as executive editor of the Police Gazette.
When MGM needed a place to simulate the “Santa Fe Road Race” in the “Spinout” movie, the Dodgers were happy to accommodate the production from March 9-11.
In “Spinout”, Elvis plays Mike McCoy, a pop singer on the road with his rock band, who is also a part-time top racing driver (he sports a sleek Cobra 427). Elvis as “McCoy” goes for a triple play with not one or two romantic interests, but three in this case, including Shelley Fabares, who plays “the spoiled daughter of a racing car magnate (Carl Betz)”; Diane McBain, “an ‘older’ woman who writes books on how to trap bachelors”; and Deborah Walley, “the drummer in his band.”1 Fabares was in three of Presley’s movies as a leading lady. Walley was known for playing “Gidget” in the 1961 film “Gidget Goes Hawaiian.”
Norman Taurog, a veteran of more than 175 films, directed the movie, which was released under a different name — “California Holiday” — in Great Britain. The working title of “Never Say Yes” eventually was changed to “Spinout” for the United States release. Several other titles were considered by Producer Joe Pasternak. Colonel Tom Parker, Presley’s manager, suggested two titles, “Jim Dandy” and “Clambake”. The “Clambake” title was saved and used for one of Presley’s 1967 film releases.
Surrounded by a bevy of beauties with bit parts, Presley might not have known that a young girl named Rita Wilson was included in the film. Of course, actress Wilson later went on to garner her own stardom and married actor Tom Hanks.
“I had Jeane Hoffman negotiate the MGM contract, following my initial meeting with Mr. Horton on January 31st,” said Walsh. “I was involved with a number of other things at that time (including starting negotiations to bring the Beatles to Dodger Stadium in August) so Jeanne would have been our liaison to MGM and the on-site director and crew. I do remember the movie shoot — at the time Elvis was into racing cars so he was strapped into one of them and the racers were ‘off’ and under a checkered flag a number of times.”
Another of those on site was Bob Smith of Allied Consolidated Services, who handled operational issues and security at Dodger Stadium at the time. Smith later became Dodger Vice President of Stadium Operations.
“The majority of the movie was shot elsewhere, but what they used Dodger Stadium for was the start and the finish line for the racing scenes,” said Smith. “It was filmed near where the Union Oil station is by Lot 26 (now known as Lot H). They set up some dressing trailers and I remember that I saw Elvis, but he had bodyguards around him. They really didn’t want it known that he was even out there. They were on site for three days — a set-up day and shooting the second and third days. There were a lot of camera people. Elvis would drive by the start and the finish line and then they would go back and forth and do it all again. They dressed up the parking lots to tie it in with the rest of the racing scenes where the movie was shot, so it would be hard to tell it was at Dodger Stadium.”
Smith is right, it is hard to know that it was the Dodger Stadium Parking Lot with one minor exception: the Dodger Parking Lot signage was identified by numbers on colored globes with baseball stitching on them. In the movie, during the finish line sequence, the Parking Lot 38 sign is visible (now known as Lot 7). This was the lot near the hillside behind Lot 26 back of the Right Field Pavilion.
Two days after filming concluded at Dodger Stadium, Colonel Parker confirmed a UPI story that stated 31-year-old Elvis was the “highest paid entertainer in the world (about $6 million a year) and the highest single taxpayer in the United States.”
Hoffman wrote in a letter to Walter O’Malley on March 11, 1966 about “Spinout”: “Elvis shooting running into third day. Their location man, Dutch Horton, says MGM is looking for unusual offices for a forthcoming movie. Almost rented yours out from under you — thought I’d better wait till you get home.” A week later, she updated O’Malley, “Elvis has gone and the little secretaries are all sad; three of them met him.”
The year 1966 may now be remembered as the one in which both Elvis Presley and The Beatles were at Dodger Stadium.
Was there an actual Elvis sighting in Dodger Stadium?
“In all probability he wandered in between takes since we would have had the center field gates open as well as those between the Pavilions,” said Walsh.
“Spinout” made its theatrical debut on November 23, 1966.
Long live “the King”!

1 On the Town with Al Ricketts, Pacific Stars & Stripes, February 15, 1967



Poster art from the 1966 movie “Spinout” starring Elvis Presley as “Mike McCoy,” a pop singer on the road who doubles as a part-time race car driver. Presley drove his race car in the Dodger Stadium Parking Lot in March 1966, filming scenes simulating the start and finish of the “Santa Fe Road Race.” In the photo above, Elvis drives by the Dodger Stadium Parking Lot sign for Lot 38, featuring an orange globe with baseball stitching, as he approaches the finish line.




The original Dodger Stadium Parking Lot map shows the area in which the movie “Spinout” was filmed in March 1966, behind the Right Field Pavilion and near the Union Oil station. The MGM movie starred Elvis Presley and a trio of romantic interests vying for his attention: Shelley Fabares, Diane McBain and Deborah Walley.




Elvis Presley proudly displays the first-place trophy he receives for winning the “Santa Fe Road Race” in the 1966 movie “Spinout”, which was filmed in part in the Dodger Stadium Parking Lot. The green hillside behind Parking Lot 38 is visible in the background.




The soundtrack from the MGM movie “Spinout” starring 31-year-old Elvis Presley, who was at Dodger Stadium in the parking lot filming road racing scenes for the movie in March 1966. Songs from the RCA label album, released October 31, 1966, include “I’ll Be Back,” “Never Say Yes,” and “Spinout.”




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